Defoe

defoe

Photography by Jason Rice

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Bright Shiny Morning

All of this may seem like surface paint, and nothing more than a façade but it’s not. I’m interested to hear what you both thought about the structure of this book, not only from these four/five lives we follow for five hundred pages but the riveting historical facts that Frey weaves into the tapestry of this fine novel. I was stunned by the little thumbnail sketches that really amounted to nothing more than Frey showcasing his talents and made up for the wanderings that other writers tend to do within a character. With these people who come and go he manages to fill out his primary characters with throw away people as background which really only take up a few pages every so often.

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Circles

Circle

Photography by Jason Rice

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Ron Currie Jr. Interview

roncurrie

I’d like to say I was disturbed by the material, but the truth, as far as I remember, is my overriding emotion while writing God is Dead was amusement. Which obviously says more about me than about the content of the book. My sense of humor tends toward both the dark and the absurd–two great tastes that, in my opinion, taste great together. I will say, though, that a lot of the themes in God is Dead were inspired by what I perceive in the world around me, much of which I find increasingly disturbing, upsetting, and infuriating. As most thoughtful people do. So in a way, turning these real-life horrors on their ear and laughing at them can be curative.

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Le Verdun

le verdun

Photography by Jason Rice

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Jonathan Evison Interview

JE

While I’m very cognizant and familiar with the process of a willful protagonist wresting control of a narrative (this happened to me with an earlier unpublished coming-of-age novel I wrote (among my five other unpublished novels) when I was in my 20s. Believe it or not, I really had somewhat of a handle on Will from the start, though Will didn’t have a handle on himself from the start, and I guess that was sort of the point.

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Chairs

chairs

Photography by Jason Rice

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All About Lulu

Jonathan, I must say you tricked me, not once but several times, in that I convinced myself that the plot was moving in a certain direction only to find out that you were taking your characters elsewhere. This is a very good thing. But the first puzzlement that surfaced while I was playing dodge-ball with this text was why William obsessed about Lulu so much. When Lulu’s face is described early in the book by a reference to Mr. Potato Head (very funny, I must say) I knew what was working on William was more than just Lulu’s looks.

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Man

man

Photography by Jason Rice

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Mary This Way - Review

This story is about a chance encounter on a Manhattan street between a man and a woman that, it turns out, have some history. The POV of the guy is what we hear and he is plainly obsessed with his old acquaintance Mary, who he hasn’t seen in quite a while. But “plainly” is not an accurate word since right off we are treated to a methodical description of Mary’s appearance that is so sensual that it would make the god Eros proud. And there is a nice observation in the science of dalliance when the guy realizes that this random encounter will end just as quickly as it began unless he makes a segue to another encounter, this one planned rather than aleatory.

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Tide

tide

Photography by Jason Rice

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Outtakes From a Marriage

outtakes

Back to reading against type: it’s a shame that more men are not likely to pick up this book because if they did, maybe they would gain a greater appreciation of how marriage can be viewed by the other gender. This story is told in first person, it’s Julia’s story and the marriage is seen from her perspective. We see, Joe, her husband from the outside. I share what I believe is the Jaces’ frustration that we never hear Joe’s side of the story. By the time I got halfway through the novel I was already taking Joe’s side even though I believe that it was the author’s intention that I not do so.

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Fence

fence

Photography by Jason Rice

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David Benioff Interview

cityofthieves

I had a wonderful teacher once, the novelist Ann Patchett. I asked her about the research she did for The Magician’s Assistant, and she told me to choose the single best book on the given subject and study it obsessively. Writers are always tempted to track down dozens of books to help give our make-believe stories that tang of authenticity, but often the problem with too much research is a writing style that seems too researched, dry and musty and eager for a history teacher’s gold star of approval.

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Landing

landing

Photography by Jason Rice

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