Fall is blockbuster season, but if you’re looking for proof that there’s much more to celebrate in October than eagerly awaited releases by Messrs. Eugenides and Murakami, look no further than this post. October also marks the release of Joshua Mohr’s Damascus and Greg Olear’s Fathermucker, two titles I read in galley months ago and enjoyed immensely.
A couple of weeks ago, we posted Greg Olear’s essay for the When We Fell In Love series, in which he wrote about The Sun Also Rises. Around the same time, we posted D. R. Haney’s WWFIL about William Faulkner. Over at The Nervous Breakdown, we had quite a few comments preferring one author or the other for various reasons; I fell in behind Uncle Bill, but admittedly hadn’t read any Hemingway since high school, aside from the stray short story.
I did everything short of selling a kidney to get out of the “major author” prerequisite necessary to graduate from Georgetown with a bachelor’s in English literature, but after suffering through Shakespeare, I had no choice but to submit to a dourer DWEM. Lucky thing, because Milton turned out to be the best class I took in college, and Paradise Lost superior, in my view, to anything composed by the more-celebrated Stratford-upon-Avon Bard.